westcoast, where i have to be quiet, 2022. Pigment on hahnemühle photo rag 308 gram, 84,1x118,9 cm. Edition of 2.
aportar, 2020. Pigment on hahnemühle photo rag 308 gram, 118,9x84,1cm. Edition of 3.
Photographies exhibited at Onto-dating at Galleri Nygade 26A, Silkeborg, Denmark, 2022.
The photographs are about the dynamic in facing the universe, both inwards and outwards. Taken in Denmark and Brazil, the works carry their own context and narratives, while sharing the emotions in relation to meeting the silences, the fears, the beauty, the violence, the strenght and overwhelming in this journey of re-thinking genesis, present and future.
Model: Hernani Vasconcelos
Untitled, 2018. Pigment on cotton paper, 59,4 × 84,1 cm. Private collection.
Untitled, 2018. Pigment on cotton paper, 59,4 × 84,1 cm.
Untitled, 2018. Pigment on cotton paper, 59,4 × 84,1 cm.
Untitled, 2018. Pigment on cotton paper, 59,4 × 84,1 cm.
Selected images from the serie/installation PRELÚDIO : ALICERCE : FUNDAÇÃO : FUNDAMENTO
What remains after we tear down the walls of a house? What remains after a building implodes? What's after deconstruction?
With these thoughts felis began to walk towards the reflections that resulted in these images. The path is not new, since (for almost a decade now) questions about self-emptying, self-doubt, self-questioning, deconstruction, etc., have been present in his life.
Reflections do not cease and are never gone. The crisis is constant.The images in this exhibition are the result of thoughts and searches for new references. Not necessarily for new construction, as it lacks a foundation.
For this serie, the artist photographed the performer Sall Lam Toro.
Untitled, 2016. Fine art printing, 25x25cm.
Untitled, 2016. Fine art printing, 25x25cm.
Untitled, 2016. Fine art printing, 25x25cm. Private collection.
Selected images from the serie Eternas [des]construções.
What would we be if we empty ourselves
completely?
completely?
The serie was conceived and built in an infinite process of [re]learning. The goal here was to play with shapes, colors, textures and
realities in a game of overlaping and trangressing norms and concepts by recreating many images in one.
realities in a game of overlaping and trangressing norms and concepts by recreating many images in one.
Paradigms that came before of us are questioned all the time and, when doubts are opened, we fall into a spiral of eternal
constructions and deconstructions. A quest for this serie was to create a space without rules, that is, that each subject
can be free in it's own existence. This way, construction and deconstruction of concepts would have a chance to grow in our minds.
constructions and deconstructions. A quest for this serie was to create a space without rules, that is, that each subject
can be free in it's own existence. This way, construction and deconstruction of concepts would have a chance to grow in our minds.
The works were made in collaboration with the performer Piton Niza.
Text by Amanda S. Soares.
The serie was exhibited at Vila Cultural Cora Coralina, Goiânia, Brazil in November/December 2017.